FilmGalerie Spring season 2025: Cate Blanchett. Presence and Variety
Journalist Marion Löhndorf once wrote about Cate Blanchett that she is not an ‘actress for beginners’. This sums up the art of the Australian actress very well. With her cool, elegant demeanour, her even features, which can alternate between hauteur, sternness and melancholy, and her deep voice, she always creates a certain aloofness. Her roles also rarely call for identification; they often have something extreme or dangerous about them - she is always about the whole. Even in her powerful characters, there are often visible fractures.
Blanchett's complexity lends her acting a very special depth and is also the basis of her incredible versatility: regardless of whether her roles demand weakness or authoritarian grandeur, whether she plays sympathetic or evil characters or crosses gender boundaries, for example to embody Bob Dylan - her characters are always truthful. Her repertoire ranges from the homeless man in the art film MANIFESTO, in which she slips into a dozen other roles in addition to this one, to the supernatural queen of the elves in THE LORD OF THE RINGS.
This spring season, FilmGalerie pays tribute to Cate Blanchett and traces her artistry, which has made her one of the greatest actresses of our time. In ELIZABETH she proves just how regal she can be in her feminine self-assertion, while in the Oscar-winning melodrama BLUE JASMINE she plays the fallen diva. In BERNADETTE she succeeds in a touching embodiment of inner isolation, as star conductor Lydia TÁR she is a goddess in free fall and as CAROL she is a risky and unconditional lover on the social abyss.